Creativity and Conversations with Nature.

From the work of scientists like UBC's Suzanne Simard, among many others, we are learning more and more about the intelligence of the earth, how trees communicate with each other, and the myriad physical and creative benefits humans gain from spending time in nature.

An article in Outside, cites neuroscientist David Strayer’s research which has shown that our "prefrontal cortex is less active when we’re out in a natural environment. When the prefrontal cortex quiets down, the brain’s default mode network kicks in. Think of it as the imagination network: it’s activated when we’re not focusing on anything specific, and instead are allowing the mind to idly wander or to dip into our deep storehouse of memories, ideas, and emotions. When the ‘imagination network’ kicks in, sudden flashes of creative insight come to you. "

There are loads of benefits humans receive from nature. But what about a 2-way communication with the natural world?

In an article entitled Learning the Language of Nature, the author, Timothy Seekings describes an essay called Spirituality as Common Sense, written by Brother David Steindl-Rast, a Benedictine monk. "In Steindl-Rast's view, common sense does not refer to rational thinking and problem solving in practical matters. Rather, it is comparable to the basic human senses such as sight, hearing, smell, taste, and touch, which allow us to connect to the world around us.

Senses are not exclusive to humans either. All life connects to the surrounding world, and Steindl-Rast suggests that it does so through the common sense. As humans, we experience this common sense when we connect with animals, trees, or other living beings and experience moments of affinity and deep connectedness.

What if life has a common language? We know that all life shares a common code: DNA and RNA. But what if life has a common language of the senses, not a language based on a system of semiotics, but one based on a common sense, a language that we can understand in principle, perhaps through feeling?"

“The task is clear" says Seekings. "We have to become multilingual, and that means learning the lingua franca of the living planet. In the Anthropocene, our most pressing concern is to be able to hear and understand what she has to say, because we have been ignoring her messages for too long.”

Can we learn this lingua franca, gather together those feelings and sensations that we experience in nature and create abstract paintings from those experiences? We'll explore that in my upcoming workshop, Workshops in Wild Places Stays Home: Create abstract paintings from a deep connection with wild nature where you live. Please join me. For details and pricing, go to: janicemasonsteeves.com

Liminal Time

The word liminal comes from the Latin, limen meaning threshold. an in-between place, a place of transition, a time of waiting and not knowing. Dawn and dusk are considered liminal places. Crepuscular animals, like foxes and coyotes are most active at this time of day, a time that is considered a magical time in Celtic spirituality and to Indigenous people which is perhaps the origin of their designation as tricksters. As I write this, the northern hemisphere has just passed the vernal equinox, where day and night are of equal length.We are in a liminal space between winter and spring right now, unsure if we will have one more storm or snowfall before spring finally settles in. We're also in a liminal place as we live through this pandemic with the anxiety and discomfort of not knowing. A time of great transition for the entire world, wondering what we've learned from this and what lessons we'll carry forward. Author and Fr...

Lessons that Stone Walls Teach

Dry stone wall in the Burren, Co. Clare, Ireland I've just returned from teaching a Workshop in Wild Places class in the Burren in County Clare, Ireland. Writing this post, I'm reminded of another post I wrote after visiting Inishmaan, the middle of the Aran Islands off the west coast of Ireland several years ago. Stone walls crisscrossed the island in tight webs like a fisherman's net. I wrote then that the web of stone walls made me think of the idea of putting limitations on our painting as a way of exploring more deeply and how walls give limits against the limitless. You can read that article here. As our group hiked in the Burren with our guide, Marie McGauran we learned that the walls are stronger because of the holes in them. The wind can pass through. The oldest stone walls, estimated to be 3500 years old are at Skara Brae, a Neolithic site in Orkney. Most walls were built in the 18th and 19th century, marking areas of private ownership and resultin...

Am I Too Old to Change? Embracing Life

Photo by Miguel Á. Padriñán from Pexels I'm in the process, at last, of working on the book that came to me in a dream seven years ago. It has circled my head all these years, demanding I get at it. It's called: We're Not Done Yet: Coming to Art Later in Life . It has actually hung in the air a couple of feet behind my head, attached by a string like a helium balloon, like a cartoon cloud, waiting for me to get to it. Some of you will know of it because I posted a request on Facebook in 2019 asking for artists who have come to art later in life to reply to me if they'd like to answer a questionnaire. I received 168 responses plus earlier interviews I did before the put out the questionnaire. There was some overlap, and some didn't respond after they'd offered to. All in all, I received 128 responses. By a huge majority it was women who responded to my questionnaire. By the time we get into our 60's we bring a rich life experience to our work: m...

Janice Mason Steeves

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