Janice Mason Steeves

                        I miss travelling! I’ve always loved to travel especially to wild and remote places  but living on an artist’s unsteady salary, I’ve learned to find inexpensive ways to travel. Several years ago, I discovered  artist residencies, which provide accommodation and small studio spaces. These are available to artists all over the world, some of which are free depending on acceptance of your application, others cost a small amount. I prefer ones that are remote but provide accommodation to a small group of artists rather than just one person. The interaction with artists from other countries is a stimulating, enlightening and enriching experience.                  St. John's Newfoundland 2019 After I’d been teaching painting classes for several years in various parts of Canada, the US, as well as in Sweden and Iceland, I had the idea to combine m...

The blank panel I barely painted all of 2020. I could feel the anxiety and fear of Covid in the air all around us as well as the violence and the political unrest. The uncertainty. The confusion. Some artists were able to block it all out and paint prolifically. I could barely get into my studio. I felt so stuck. I tried making myself....."just  go into the studio for an hour ..........just clean it up..........paint small..........play".  All the advice I give my students. Nothing worked. I found creativity though through teaching workshops. In 2020, I translated my Workshops in Wild Places travel workshops into Stays Home workshops and taught them on Zoom. In those workshops, I suggested nature connection exercises to artists from all over North America and as far away as Australia. It occurred to me that one small contribution I could make to honour the earth is to teach nature-based painting workshops, where artists connect with nature where they live; the backyard or a n...

F rom the work of scientists like UBC's Suzanne Simard, among many others, we are learning more and more about the intelligence of the earth, how trees communicate with each other, and the myriad physical and creative benefits humans gain from spending time in nature.  An article in Outside , cites neuroscientist David Strayer’s research which has shown that our "prefrontal cortex is less active when we’re out in a natural environment. When the prefrontal cortex quiets down, the brain’s default mode network kicks in. Think of it as the imagination network: it’s activated when we’re not focusing on anything specific, and instead are allowing the mind to idly wander or to dip into our deep storehouse of memories, ideas, and emotions. W hen the ‘imagination network’ kicks in, sudden flashes of creative insight come to you.  " There are loads of benefits humans receive from nature. But what about a 2-way communication with the natural worl...

Meares Island  1000 year old tree with our group We all know that everything in this world is interconnected. At least we know it in our heads. But each time I teach one of my Workshops in Wild Places week-long painting classes, I more clearly understand the interconnection between the land, our paintings, our lives, our bodies, our emotions, and our spirit. In teaching about connecting with the land to create abstract paintings, I realize how the land opens us up, how art opens us up, but only if we are willing. Leaning against a 1000-year old tree on Meares Island near Tofino, BC two weeks ago, I was suddenly overcome with emotion. I had such gratitude for this ancient tree–that I was able to experience it, consider what its seen in 1000 years, stand inside the hollow part of its trunk, and sit on its huge roots as I leaned on it, feeling its big calm energy. Under Mother Tree-photo by Julie Brogan In my Workshops in Wild Places, we do various exerc...

Dunskey Estate in Scotland was rugged and head-over-heels luxurious at the same time. I've just returned from teaching there-the second workshop for Workshops in Wild Places. The aim of these workshops is to encourage a deep connection with the land through meditative walking, hiking, reading poems outdoors, having happy hour on the beach at sunset, and other such important exercises, then coming into the studio to create an abstract response to the land. While an imposing structure on the outside, the castle was cozy and sumptuous inside, with comfortable furniture, large and thick antique rugs, and fires blazing in each room we occupied. Our group took over the entire castle, eating gourmet dinners in the great hall, breakfast and lunch in the dining room and having meetings and discussions in the Drawing Room.  Set upon 2000 acres on the sea, this opulent estate has a wildly rugged side, with beech and pine forests and a long rough path edged wit...

Baer Art Center Residency that I did in 2016 and 2017. I'm always interested in remote places and what draws people there. What words do they use to describe the journey and what sort of work comes out of this experience? I asked two artists if they would respond to these questions: Amy Clay and Laura Moriarty. AMY CLAY: I followed  Amy Clay's adventures a few years ago as she travelled around the world from one artist residency to another for an entire year. Amy Clay walking in the gorgeous greens of Ireland " My life and art is all about the Epic Quest and mysterious journeys to places of the imagination. Pushing beyond the familiar to new territory - facing the fear of the unknown, and seeing what’s on the other side. This relates to my love of wild and remote places. I’m especially drawn to Northern landscapes - as I know you are too! One of my favorite places is a residency on the far southwestern corner of Ireland called Cill Rialaig. It’...