Skip to main content

Posts

Showing posts from February, 2018

Mindfulness in Art: Trust

Iceworks 44  12x15"  Oil/cold wax on panel  ©2018 Janice Mason Steeves Iceworks 45  Oil/cold wax on panel ©2018 Janice Mason Steeves Last fall I started a series of blog posts based on John Kabat-Zinn's 7 attitudinal foundations of mindfulness from his book: "Mindfulness for Beginners".  I thought it would be interesting to look at the relationship of  these 7 fundamentals to painting. Trust is one of them.  In a personal story, as some of you know, I had two consecutive knee replacements in 2017.  Much of 2016 and most of 2017 was spent in pain and then later, healing. By the fall of 2017, I was back in action. However, during the healing process, I had a bit of a crisis of faith. Faith in myself to continue to create. Normally I have pretty continuous creative ideas. They arrive like pictures in my mind. Unlike Agnes Martin who had  a separate vision for each painting,  I seem to get pictures in my mind of a series of paintings.......or maybe i

Following A Series: In Search of Poetry

How does a series come about? What is it that makes an artist want to follow a few paintings along to see where they lead? Is it simply making the decision to do so? Or is it something exciting about them that sparks other ideas? The current series I'm working on began at my artist residency at the Baer Art Center in Iceland in 2016. It took a few days to settle into the residency. As I walked the treeless farmland that hugs the coastline of Skagafjordur where the residency is located, I became fascinated with the dark and imposing cape. It would be an island except for two long bands of stones that join the cape to the mainland on either side, creating a freshwater lake in the centre with a black sand beach.  Seen from the water, the cape is a breathtaking expanse of basalt columns that have formed into overlapping layers which flowed into various curved shapes as the volcanic columns were cooling long ago. I didn't interpret this landscape directly, but