Janice Mason Steeves

Pathways 4  12x24"  Oil on paper on panel  ©2019 Janice Mason Steeves To begin each day in my painting workshops, I do a short mindfulness meditation to bring our focus into the studio, into the workshop. And then I read a poem. Words that might inspire. Poems that might, in the words of John O'Donohue, "create an invisible cloak to mind your life". My workshops are filled with women (mostly) who are generally between 55 and 75. The Boomer Generation. These are women who have worked as teachers, nurses, doctors, professors, engineers and who are now retired or near the end of their careers. Many are also mothers of grown children. And grandmothers. They've come to art later in life and are ready for a second career, finally able to follow their hearts to discover their creativity. But still, many are tied to their roles as mothers and grandmothers and find it difficult, as women do, to allow themselves space and time where they are not nurturers and careg...

The Way 20x21" oil on panel ©2018 Janice Mason Steeves There are a lot of us out there who have come to art later in life. My workshops are filled with women (mostly) who are between the ages of 50 and 75 (The baby boom generation). Probably most are between 60 and 75. And what interesting people they are! They bring their life experiences with them to their art––their heartaches, joys, achievements, worries, and gratitude. And they are, for the most part, committed artists. They are embracing art like it's finally their time. It's what they've been waiting their whole lives to do. They come with their souls on fire. "and there was a new voice  which you slowly recognized as your own,  that kept you company as you strode deeper and deeper into the world, determined to do the only thing you could do–– determined to save the only life you could save. " The Journey by Mary Oliver  It doesn't matter how old you are if you have passion for ...

I love to travel to wilderness locations such as the ones I described in my previous  blog post , where one can be overwhelmed by the size of the landscape and feel for a time, completely alone, lost in the vastness. It's partly to do with the silence in such landscapes, where you can almost hear your heartbeat. Northern Sweden Northern Sweden I consider the idea of visiting remote places an aid to helping artists develop a more mindful response to the land, and as well, to find a visual vocabulary to express that connection. Mindfulness is the key. Not only being mindful of your own body, feelings and thoughts, but becoming mindfully aware of nature. And then, finding ways to creatively express that connection. I find it so easy when I go for a walk to forget about where I am and think about my problems, or worries or get lost in daydreams. Iona, Scotland Iona, Scotland Iceland Iceland There are many ways of developing a sense of place. One way t...

SCOTLAND Dunskey Castle, Scotland One thing I love to do is to organize workshops in gorgeous retreat centres or lodges or castles in remote areas of the world.  The intention in each of the workshops listed below, is to invite students, through various exercises and outdoor meditations, to connect with the landscape, to carry home that connection and translate it into abstract paintings. Contemplation, writing and painting are ways of connecting with and honouring the land. My friend  Rebecca  Crowell and I are finalizing plans to co-teach a workshop in a magnificent castle in Scotland, south of Glasgow in September 2019. Located near the sea, it has stunning views from the art studio on the top floor and 2000 acres of beautiful grounds to wander, including 2 lochs. We will stay in the West Wing. Registration for this workshop will open in September 2018.   www.dunskey.com NEWFOUNDLAND I'm in the process of planning a cold wax ...