Janice Mason Steeves

                        I miss travelling! I’ve always loved to travel especially to wild and remote places  but living on an artist’s unsteady salary, I’ve learned to find inexpensive ways to travel. Several years ago, I discovered  artist residencies, which provide accommodation and small studio spaces. These are available to artists all over the world, some of which are free depending on acceptance of your application, others cost a small amount. I prefer ones that are remote but provide accommodation to a small group of artists rather than just one person. The interaction with artists from other countries is a stimulating, enlightening and enriching experience.                  St. John's Newfoundland 2019 After I’d been teaching painting classes for several years in various parts of Canada, the US, as well as in Sweden and Iceland, I had the idea to combine m...

The blank panel I barely painted all of 2020. I could feel the anxiety and fear of Covid in the air all around us as well as the violence and the political unrest. The uncertainty. The confusion. Some artists were able to block it all out and paint prolifically. I could barely get into my studio. I felt so stuck. I tried making myself....."just  go into the studio for an hour ..........just clean it up..........paint small..........play".  All the advice I give my students. Nothing worked. I found creativity though through teaching workshops. In 2020, I translated my Workshops in Wild Places travel workshops into Stays Home workshops and taught them on Zoom. In those workshops, I suggested nature connection exercises to artists from all over North America and as far away as Australia. It occurred to me that one small contribution I could make to honour the earth is to teach nature-based painting workshops, where artists connect with nature where they live; the backyard or a n...

 My daughter, Jen Mason , has recently completed her PhD and in an article she's writing, she discusses how self-expression is an important topic in school and in life. We're taught how to write persuasively, how to speak convincingly and how to argue effectively. Mainly, it's loudest one that gets the attention. How much time do we spend learning how to listen? She goes on to say, "Listening is an internal process and like expression, it is a skill that needs to be developed." Who listens? In my Workshops in Wild Places workshops and in my Stays Home zoom workshops, I try to address not only self-expression through painting, but also how to listen. We're taught self-expression in painting: how to find your personal voice.Because my current workshops are about creating an intimate relationship with Nature and using this relationship as a point of reference for creativity, it's important to learn to listen to nature, not only her sounds, but also to open yo...

Last week I visited my artist friend, Rebecca Crowell  in New Mexico. Rebecca and her husband Don Ticknor have bought a property  north of Santa Fe, which Don is renovating and restoring.  Rebecca and I will be teaching a painting workshop in northern Spain in September and we needed time together to work on it. We spent part of each morning throwing ideas back and forth about the format of the workshop and came up with some creative plans. I realize that so many ideas I have come from books I've read about art and the creative process or TED talks or the podcast ON Being with Krista Tippett or simply talking to people. For example, in my workshops that take place in beautiful landscapes,  I often have my students choose a 'sit spot' outdoors, where they sit every day for 15 or 20 minutes to simply observe. This idea came from an outdoor workshop my daughter took with Jon Young, author, wildlife tracker and naturalist, who developed the daily sit spot p...

BTW 9  Oil/mixed media on paper  12x12" © 2017 Janice Mason Steeves BTW 7 Oil/mixed media on paper 12x12"  © 2017Janice Mason Steeves In my last blog post , I wrote about how difficult it's been to get into my studio after a very long hiatus. I debated whether I'd write that blog post because it felt like I'd be showing all my vulnerabilities and weaknesses. Maybe not the smartest thing to do as a painter of over 30 years and as an art teacher and coach. When I'd finished writing it, and my finger hovered over the word "Publish", I thought of these things. Much debating went on in my head in that hovering, the inner critic's voice being most negative of all. BTW 2 Oil/mixed media on paper 12x12"  © 2017 Janice Mason Steeves I'm so grateful to have pushed the "Publish" button. I received many beautiful personal emails written by people who had recently been through periods of personal illness, or members of...

By far the majority of students in my painting workshops are women over 50.  Most have had long and accomplished careers and many are either retired or planning their retirement.  With more time now, many want to return to their love of painting or come to learn how to paint abstractly or to develop new skills. One thing I often hear is how difficult it is to create a space to work, to be serious about creativity and to make the time for art.  It's surprising to me, all these years after the feminist movement, to hear many of these accomplished women talking like this. You'd think that now when the children are grown and gone, and (perhaps) a regular pension is coming in,  that there would be much more time for creativity.  There are lots of things that seem to interfere.  Many regularly babysit their grandchildren or do volunteer work or are the main caregivers for aging parents. Can you take your creativity seriously?  Who will give you t...

Heaven Can Wait 42x42" oil/cold wax on panel © Janice Mason Steeves Still feeling the effects of my week long home retreat (how long can this feeling last?), I'm thinking about  solitude and it's place in the creative process.   In Paul Tillich's quote, solitude is the 'glory of being alone'.  Solitude is something you choose.  It's different than loneliness. - “ In order to be open to creativity, one must have the capacity for constructive use of solitude. One must overcome the fear of being alone. ” ~Rollo May As I went into my home retreat a couple of weeks ago, I had many people tell me that they just wouldn't be able to do a home retreat.  "Oh I wish I could do that", was a very common response. Several friends-many of them artists- told me that they thought I was courageous to be alone for a week.  Courage is not spending a week alone and unplugged.  Courage is Harry Potter fighting Voldemort to the death.  Courage com...

"Go instead where there is no path"  50x50" oil /cold wax medium ©Janice Mason Steeves 2011 "Language has created the word 'loneliness' to express the pain of being alone.  And it has created the word 'solitude' to express the glory of being alone"   Paul Tillich My week-long home retreat was a much-needed refreshing break.  It ended on July 8th, which also happens to be my birthday. Friends came over to help me celebrate. A lovely way to close off the week.    I managed to follow all the guidelines I'd set up for myself: see my last blog post for the rules of engagement. I made the 'rules' to set the parameters of the retreat, to encourage myself to unplug as though I were on a small remote island for a week. I didn't use the computer at all but kept daily notes in my journal of my experience and ideas and thoughts. The occasional twinge of loneliness in the first day or two didn't last long.  The creative juices...

Last spring, I had a battle with a robin. She was trying to build her nest on the transom above my front door. Each day she brought endless amounts of debris from my garden and each day, I used my broom to sweep it away. She, or maybe it was another robin, had built their nest in the exact place two years ago and for a few weeks I couldn’t use the front door. But the worst of it was that in that precarious place, one of the babies had fallen to its death. I didn’t want to have that happen again. So I kept sweeping away the grasses and each day she brought more. We were both determined. Then one weekend I was away for three days. And when I came home, boom! There was a solid, mud-packed nest. I climbed a ladder inside my house and peered into the nest through the transom window. Five small blue eggs nestled in the bottom. I am reading the book, “ Creativity: Where the Divine and Human Meet”, by Matthew Fox , an Episcopal priest and theologian, who is an exponent...