Janice Mason Steeves

Dry stone wall in the Burren, Co. Clare, Ireland   I've just returned from teaching a Workshop in Wild Places class in the Burren in County Clare, Ireland. Writing this post, I'm reminded of another post I wrote after visiting Inishmaan, the middle of the Aran Islands off the west coast of Ireland several years ago. Stone walls crisscrossed the island in tight webs like a fisherman's net. I wrote then that the web of stone walls made me think of the idea of putting limitations on our painting as a way of exploring more deeply and how walls give limits against the limitless. You can read that article   here. As our group hiked in the Burren with our guide, Marie McGauran we learned that the walls are stronger because of the holes in them. The wind can pass through. The oldest stone walls, estimated to be 3500 years old are at Skara Brae, a Neolithic site in Orkney. Most walls were built in the 18th and 19th century, marking areas of private ownership and resultin...

Gathering Light 9   60x60"  Oil on canvas ©2014 Janice Mason Steeves One thread that ran through the whole month of my recent trip to Scotland was related to art.  Of course that would be the case.  Being an artist is a way of living, of seeing, of being in the world.  When I told people I met on the trip that I was an artist, they naturally asked about my work.  It was a good exercise in trying to describe my non-objective work. One lovely elderly man named Jock engaged me in a lively conversation.  When I mentioned to him that I am an abstract painter, he told me he liked high realism.  That comment set the stage for an interesting conversation.  He was very curious about why I wanted to paint abstractly.  He asked intelligent questions and gave me the gift of focusing intently on our conversation.  I told him that my work is about light, that I'm interested in painting the essence of light.  I described my ...