Janice Mason Steeves

Gathering Light on Paper:16    16x16" Oil on paper ©2015 Janice Mason Steeves         To read Part 1, click here To read Part 2, click here Elements of Design Part 3,  is about looking at your work and the work of other artists to help you discover what you like. In my workshops, I love to teach techniques of working with the medium of cold wax and oil along with the elements of design. The process of painting involves the head and the heart- free and expressive play, along with an understanding of structure. Not one without the other. I'm interested how to read abstract paintings, and understand what elements of design an artist uses to express their ideas. For each design element, I teach various ways of working with cold wax and oil. For example, when I teach the design element, Line, I teach several different techniques for making interesting lines. And then I invite each student to consider the importance of Line in the...

In Part 1 of Helping Artists to Discover Their Personal Voices, I wondered if there was only one voice we could have. I said that so much of discovering your own path, is making choices, and then creating a body of work to explore those choices. In this post, I'd like to write about discovering what you like. Giggles What do you most love to paint?  When my children were younger and trying to decide what to study or what direction to follow, I would always tell them to follow their giggles. When we are on the right track, there is a gut feeling that is very much like giggling. Sort of bubbly. And I advised them to follow that. And they have. It's Joseph Campbell's expression, 'follow your bliss' integrated into a bodily sensation!  What do you want most to paint right now? It helps if you tell yourself that the choice doesn't have to be set in stone for the remainder of your life. It's a choice for now. Follow that choice....

    Whether we know it or not, when we embark on the journey of becoming an artist, we open up. We have to. It’s part of the process. And it’s in that process that we create ourselves. The artist's voice is a mixture of style, technique, and the message they wish to impart. But that can change. It’s not fixed in stone.  Kirkegaard said, “We create ourselves by our choices”. Many years ago I made the choice to become a painter. It was for me, a life-altering decision. It took a long time to make that decision and then more time to call myself an artist. First I chose to work in watercolour, then later, in oils. I chose first of all to paint landscapes and still life, moving much later into dark and mysterious paintings of vessels. Choice. Choice. Choice. I continued to make choices about my subject matter and as I grew as an artist and a person, so my work continued to change.  Eventually I moved into abstraction, where the wor...

Fragile 18    29x29"  oil/cold wax on panel   ©2014 Janice Mason Steeves Sitting in my somewhat beaten-up but oh-so-comfortable studio chair the other day, considering a painting I was working on, I began to think of earlier work I had done that had some similarity to this new work.  I pulled out an old slide album from 1992.  I documented my paintings with slides in those days.  In 1992 I made my first foray into abstraction, spurred on by a trip to Baffin Island in Canada's arctic. I had the good fortune that year to travel with the well-known Canadian landscape painter, Doris McCarthy.  We travelled to Pond Inlet in the month of January when the sun had not yet returned to the arctic.  The thermometer in the window of our church/home remained at a steady -40C (which is the same as -40F)....maybe it was frozen at that temperature.  The wind chill took it to a place that was beyond reckoning.  Doris was 82 years old then a...