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Do You Take Your Art Seriously?

By far the majority of students in my painting workshops are women over 50.  Most have had long and accomplished careers and many are either retired or planning their retirement.  With more time now, many want to return to their love of painting or come to learn how to paint abstractly or to develop new skills. One thing I often hear is how difficult it is to create a space to work, to be serious about creativity and to make the time for art.  It's surprising to me, all these years after the feminist movement, to hear many of these accomplished women talking like this. You'd think that now when the children are grown and gone, and (perhaps) a regular pension is coming in,  that there would be much more time for creativity.  There are lots of things that seem to interfere.  Many regularly babysit their grandchildren or do volunteer work or are the main caregivers for aging parents. Can you take your creativity seriously?  Who will give you t...

Expressing a Sense of Place in Abstract Art

Dry Pigments from Montserrat Yesterday I received an email from Sandy Lambert, an artist who was in one of my painting workshops recently.  She is going to be painting in Ireland in September and was wondering if I could suggest exercises, an approach or technique to help her express a sense of place in her paintings.  Before Sandy's question, I hadn't spent time considering how I approached painting when I am in another environment.  It has just happened spontaneously and unconsciously.  Mine is a very tactile or kinaesthetic approach.  I particularly think of artist residencies in response to her question because the residencies I have attended were each 3 or 4 weeks in duration.  That length of time gave me the opportunity to get some sense of the place as well as time to work on a small body of work.  I don't ever seem to settle quickly into a place.  I find that I need to walk the land and explore for a few days to get over jet lag...

A Morning Practice for Painting

A morning studio practice-lighting a candle  My son, Andrew Mason, is a musician in Toronto.  He recently recommended a book to me that he had read during his  music studies.  The book is called Effortless Mastery: Liberating the Master Musician Within by Kenny Werner.  Written in 1996, this book is just as relevant today as it was 18 years ago.   Effortless Mastery is about learning how to find the 'space', the 'flow'.  Werner  gives meditations and suggestions as to how a musician might find that 'universal' space within themselves from which to create. Visual artists will find the suggestions helpful in their own creative work. In my own artistic practice, I light a candle each morning as I come into my studio.  I do this to set my intention and to hold the space for my work for the day.  I have the candle near my studio door so I can remember to blow it out and feel gratitude for the day's work as I leave at the end of th...

Flow

New Work  each is 10x8"  oil/cold wax on panel © 2014 Janice Mason Steeves Very early this morning I walked my dog at a nearby park.  The Eramosa River widens at this spot and becomes a lake which except for one sandy beach, is almost entirely surrounded by limestone cliffs.  The walking trails around the lake are cut through a forest of cedar and white pine.  At that quiet hour of the morning I had the park to myself.  I love to walk through the area called the pothole trail where there are deep circular pools carved out of the limestone by receding glaciers eons ago.  Right now the trail is very difficult to walk through.  The ice storm we had at Christmas felled trees and branches all through here.  The park employees haven't had time to clear this area yet.  In some areas you have to jump over logs and in others, find new ways around the fallen trees. I'm recounting this story because this trail of fallen trees and branc...

"I Am in The Surrender Business"

Fragile 22 50x50"  Oil/cold wax on panel  © 2014 Janice Mason Steeves In his book, Free Play, Stephen Nachmanovitch, an improvising musician,  wrote, "I am not in the music business, I am not in the creativity business; I am in the surrender business. Improvisation is acceptance, in a single breath, of both transience and eternity. Surrender means cultivating a comfortable attitude toward not-knowing, being nurtured by the mystery of moments that are dependably surprising, ever fresh". Last weekend, I taught a cold wax and oil painting workshop in my studio with eight artists, some of whom were very advanced.  I always teach the elements of design in my workshops-a good refresher for those who have studied them and an intro for those who have not.  One artist who is an accomplished figurative painter, had great difficulty dividing the painting surface into shapes.  I tried in various ways to help her understand what I was after, drawing some pi...

Talking About Being Vulnerable

John King at the Buhler Gallery in Winnipeg In the deep cold of winter in the past week before the spring thaw, I was privileged to have some heart-warming conversations with several artists about their work.  These were soul-searching conversations about  what our lives are about.  In Winnipeg, I visited my friend John King’s current exhibition called Calligraphic Influences at the Buhler Gallery in St. Boniface, Manitoba. He spoke about his work in a very reflective and passionate way, explaining how that series of work came to be, and how he came to understand what it was about. His paintings, while very joyful and playful, revealed some of John’s deep concerns about life, fragility and vulnerability. Art teaches us about who we are. That same day, a group of seven of us met for lunch at the home of Jane Gateson .  The group meets for lunch and discussions now and again, and have dubbed themselves The Qwesters (the questing westerners). I get to atte...

A New Blog: Conversations on Art

Rebecca Crowell and I have just launched a co-blog we call Conversations on Art.  We will post discussions on art from time to time as well as continue to write our own blog posts.  Our first post on this new site is called Two Friends/Two Irish Residencies-Part 1.  We thought that we would discuss our shared experiences at each residency as a way of introduction.  I invite you to read our first post:   www.crowellandmasonsteeves.blogspot.com If you wish to receive those posts by email, please sign up on that website by putting your email address into the box on the right column of the post. Please feel free to send us suggestions for topics for our 'conversations'. Hope you enjoy the read. Janice