What Happened to the Idea of the Artist as Visionary?

As well as teaching painting in my workshops, I encourage students to think beyond themselves in their work and consider the idea of the artist as visionary. I talk about the possibility of art as being more than a reflection of current society. When I googled 'artist as visionary', Wikipedia and many other sites, translate my phrase as Visionary Art. "Visionary Art is art that purports to transcend the physical world and portray a wider vision of awareness including spiritual or mystical themes, or is based in such experiences." Another link was to The American Visionary Art Museum, which defines Visionary art as "....art produced by self-taught individuals, usually without formal training, whose works arise from an innate personal vision that revels foremost in the creative act itself."

But I'm not speaking of art that is done by artists who have no training. I'm also not talking about artists painting angels or goddesses reaching for the light. What happened to the idea of art as being visionary?

In one workshop, I read a passage from Jeanette Winterson's book, Art Objects:

"Art is visionary; it sees beyond the view from the window, even though the window is it's frame….As things stand now, too much criticism of the arts concerns itself with attacking any suggestion of art as Other, as a bringer of realities beyond the commonplace. Dimly, we know we need those other realities and we think we can get them by ransacking different cultures and rhapsodizing work by foreign writers simply because they are foreign writers. We are still back with art as the mirror of life, only it is a more exotic or less democratic life than our own. No doubt this has its interests but if we are honest, they are documentary. Art is not documentary. It may incidentally serve that function in its own way but its true effort is to open to us dimensions of the spirit and of the self that normally lie smothered under the weight of living."

In 2000, Adrienne Clarkson, then the Governor-General of Canada gave a speech at the first Governor-General's Awards for Visual and Media Arts. In that speech, she said, "All art is magical activity, because even though its subject matter can be representational or abstract, it is mean to propel us to a level of consciousness that's not purely intellectual. In this context, I am reminded of what the philosopher R.G. Collingwood said 60 years ago: 'Magical activity such as art, is a kind of dynamo supplying the mechanism of practical life with the emotional current that drives it. So art is a necessity for every sort and condition of man and is actually found in every healthy society. A society which thinks, as our own does, that it has outlived this need is wrong, or else it is a dying society, perishing for lack of interest in its own maintenance.' "

Meet the Owners of a Scottish Castle

Anne Tristine Nguyen, Ali Orr Ewing, their children, Ava, Atticus and their dog, Harriet Beecher Stowe. Dunskey Estate, Portpatrick, Scotland Anne Tristine Nguyen and her husband, Alistair Orr Ewing are the owners of Dunskey Estate near Portpatrick, Scotland where I will teach a painting workshop in September. Dunskey is a splendid Edwardian castle on 2000 acres of ocean-front land with miles of walking trails. As well as daily workshop sessions in the studio on the top floor of the castle, our small group of artists will enjoy breathtaking hikes, superb accommodation and fabulous meals. Not having met owners of a castle before, I asked Anne if I could interview her to hear a little of their background story and that of the castle. Can you tell me a little of your personal story and that of your husband, Alistair Orr Ewing? Anne emigrated to America when she was ten years old, but it was at an art gallery in Saigon, her birthplace, where she met Al

The Importance of Silence in Art

Gathering Light 60x60" Oil on canvas © 2014 Janice Mason Steeves Michael David Rosenberg, the musician known as Passenger, sings, "See all I need is a whisper in a world that only shouts." In the workshops I teach, I find that one of the most common problems with paintings is that they shout. Most have too much going on: too many small shapes, too much texture, extremes of colour, too many lines, too much, too much. One thing I say most often as I walk around the classroom working with students individually, is 'make bigger shapes'. But not only bigger shapes. Quiet shapes. Where can your eye go and rest in the painting? That isn't a consideration in much of contemporary painting or much of contemporary life. Ours is a noisy world both visually and auditorily. Ours is a world that shouts. People are afraid of silence. I wrote a blog post 3 years ago about planning a retreat in my own home, where I shut off the computer and the phon

Liminal Time

The word liminal comes from the Latin, limen meaning threshold. an in-between place, a place of transition, a time of waiting and not knowing. Dawn and dusk are considered liminal places. Crepuscular animals, like foxes and coyotes are most active at this time of day, a time that is considered a magical time in Celtic spirituality and to Indigenous people which is perhaps the origin of their designation as tricksters. As I write this, the northern hemisphere has just passed the vernal equinox, where day and night are of equal length.We are in a liminal space between winter and spring right now, unsure if we will have one more storm or snowfall before spring finally settles in. We're also in a liminal place as we live through this pandemic with the anxiety and discomfort of not knowing. A time of great transition for the entire world, wondering what we've learned from this and what lessons we'll carry forward. Author and Franciscan friar Richard Rohr describes limi

Janice Mason Steeves

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