Skip to main content

Art Mentoring/Art Coaching Program




With Naomi Gerrard in Winnipeg, Manitoba

Over the past couple of years in my workshops, students have asked about getting one-on-one feedback or doing private critiques with me.  But one artist in a workshop this past summer, Jill Segal, suggested that I do an art mentoring program.  Thanks to her encouragement, I'm just launching it.

The Art Mentoring Program is intended as a distance mentoring program, to provide one-on-one guidance to artists no matter where they live.  The goal is to give artists feedback on their artwork and help them develop a cohesive body of work. There are few opportunities for artists to receive clear feedback and guidance about their work.  Our artists friends are generally reluctant to offer anything other than encouragement, even though they may think differently about certain of our paintings.  Encouragement is definitely helpful.  We all need that. But where do we get clear feedback?  Hard to find.  In workshops, we can get feedback for the work that is produced in the workshop.  But how does that tie together with the other work we like to do?  How can we create a body of work that is more unified?  The Art Mentoring Program will aim to address those issues.

It is intended as an ongoing process.  The artist will send me several images of their work by email.  I will spend some time with the images and we follow that with a telephone conversation to discuss the work.  Our conversation might focus on the process, the direction, the techniques, the elements of art, the body of work, etc.  There are many possible areas to focus our discussion.  The idea is to determine what the goals of the artist are and begin there.

I ask the artist to send me an artist's statement, a CV, their website if they have one, and to write out their short term goals for their work.  They are asked to commit to a minimum of 4 Art Mentoring sessions at a time.

I have had a couple of people ask me how this process would work if I don't actually see the work in person.  I remind them that when you submit work to a juried show, it is in a digital format.  The exhibition is juried by digital images.  When you apply to a gallery for representation, they want to see your images on your website.  If you apply for grants or artist residencies, you submit digital images. The original works are only seen when they are accepted into an exhibition.  It's your images that lead the way.

To find out more about the program and to register, please contact me at:
info@janicemasonsteeves.com

Comments

Popular posts from this blog

Liminal Time

 The word liminal comes from the Latin, limen meaning threshold. an in-between place, a place of transition, a time of waiting and not knowing. Dawn and dusk are considered liminal places. Crepuscular animals, like foxes and coyotes are most active at this time of day, a time that is considered a magical time in Celtic spirituality and to Indigenous people which is perhaps the origin of their designation as tricksters.   As I write this, the northern hemisphere has just passed the vernal equinox, where day and night are of equal length.We are in a liminal space between winter and spring right now, unsure if we will have one more storm or snowfall before spring finally settles in. We're also in a liminal place as we live through this pandemic with the  anxiety and discomfort of not  knowing. A  time of great transition for the entire world, wondering what we've learned from this and what lessons we'll carry forward.     Author and Fr...

Lessons that Stone Walls Teach

Dry stone wall in the Burren, Co. Clare, Ireland   I've just returned from teaching a Workshop in Wild Places class in the Burren in County Clare, Ireland. Writing this post, I'm reminded of another post I wrote after visiting Inishmaan, the middle of the Aran Islands off the west coast of Ireland several years ago. Stone walls crisscrossed the island in tight webs like a fisherman's net. I wrote then that the web of stone walls made me think of the idea of putting limitations on our painting as a way of exploring more deeply and how walls give limits against the limitless. You can read that article   here. As our group hiked in the Burren with our guide, Marie McGauran we learned that the walls are stronger because of the holes in them. The wind can pass through. The oldest stone walls, estimated to be 3500 years old are at Skara Brae, a Neolithic site in Orkney. Most walls were built in the 18th and 19th century, marking areas of private ownership and resultin...

I Can't Wait to Travel Again

                        I miss travelling! I’ve always loved to travel especially to wild and remote places  but living on an artist’s unsteady salary, I’ve learned to find inexpensive ways to travel. Several years ago, I discovered  artist residencies, which provide accommodation and small studio spaces. These are available to artists all over the world, some of which are free depending on acceptance of your application, others cost a small amount. I prefer ones that are remote but provide accommodation to a small group of artists rather than just one person. The interaction with artists from other countries is a stimulating, enlightening and enriching experience.                  St. John's Newfoundland 2019 After I’d been teaching painting classes for several years in various parts of Canada, the US, as well as in Sweden and Iceland, I had the idea to combine m...