Skip to main content

Tree Peonies


Sappho

Persephone

Hephestus

Oread

Nike

I'm still floating in the world of tree peonies as I look at the more than 700 photos that I took at Linwood Gardens last week. These otherwise private gardens are open for three weekends during tree peony season. And it is spectacular, not only to see the tree peonies, but also to see the weathered structures of the formal gardens that were designed by the architect Thomas Fox and to experience the palpable history that surrounds the place.

Tree Peonies are native to the mountainside and forest regions of China and Tibet. Known as the "King of Flowers", it was held sacred in the gardens of monasteries and temple courts, and grown as an exclusive treasure of the Imperial Palaces. In the eighth century, Buddhist monks took the Chinese tree peony, moutan, to Japan. Extensive hybridization by Japanese gardeners produced distinctive flowers with pure colouring, and elegant lines with long, delicate stems. The tree peony did not appear in the gardens in England and America until the nineteenth century, but even then it remained a rare plant because it was difficult to propagate.

In 1888 the discover of Paeonia lutea, the long sought yellow peony, enabled the introduction of new genetic material and unique colours never before seen. Dr. Saunders, in the late 1920's, made the cross between the P. lutea and the Japanese varities, obtaining seventy new hybrids with exceptional vigor and beauty. Over the next 50 years, William Gratwick and Nassos Daphnis continued the hybridization work at Linwood Gardens, creating an historic collection of new tree peonies, which are preserved at Linwood. The Daphnis varieties are named after Greek Gods and Goddesses and I've included a few photos of his peonies here.
Labels:

Comments

Post a Comment

Popular posts from this blog

Meet the Owners of a Scottish Castle

Anne Tristine Nguyen, Ali Orr Ewing, their children, Ava, Atticus and  their dog, Harriet Beecher Stowe. Dunskey Estate, Portpatrick, Scotland Anne Tristine Nguyen and her husband, Alistair Orr Ewing are the owners of Dunskey Estate near Portpatrick, Scotland where I will teach a painting workshop in September. Dunskey is a splendid Edwardian castle on 2000 acres of ocean-front land with miles of walking trails. As well as daily workshop sessions in the studio on the top floor of the castle, our small group of artists will enjoy breathtaking hikes, superb accommodation and fabulous meals.  Not having met owners of a castle before, I asked Anne if I could interview her to hear a little of their background story and that of the castle. Can you tell me a little of your personal story and that of your husband, Alistair Orr Ewing? Anne emigrated to America when she was ten years old, but it was at an art gallery in Saigon, her birthplace, where she met Al
Post a Comment
Read more

The Importance of Silence in Art

Gathering Light 60x60"  Oil on canvas © 2014 Janice Mason Steeves  Michael David Rosenberg, the musician known as Passenger, sings, "See all I need is a whisper in a world that only shouts." In the workshops I teach, I find that one of the most common problems with paintings is that they shout. Most have too much going on: too many small shapes, too much texture, extremes of colour, too many lines, too much, too much. One thing I say most often as I walk around the classroom working with students individually, is 'make bigger shapes'.  But not only bigger shapes. Quiet shapes.  Where can your eye go and rest in the painting? That isn't a consideration in much of contemporary painting or much of contemporary life.  Ours is a noisy world both visually and auditorily.  Ours is a world that shouts.  People are afraid of silence. I wrote a blog post  3 years ago about planning a retreat in my own home, where I shut off the computer and the phon
1 comment
Read more

Lessons that Stone Walls Teach

Dry stone wall in the Burren, Co. Clare, Ireland   I've just returned from teaching a Workshop in Wild Places class in the Burren in County Clare, Ireland. Writing this post, I'm reminded of another post I wrote after visiting Inishmaan, the middle of the Aran Islands off the west coast of Ireland several years ago. Stone walls crisscrossed the island in tight webs like a fisherman's net. I wrote then that the web of stone walls made me think of the idea of putting limitations on our painting as a way of exploring more deeply and how walls give limits against the limitless. You can read that article   here. As our group hiked in the Burren with our guide, Marie McGauran we learned that the walls are stronger because of the holes in them. The wind can pass through. The oldest stone walls, estimated to be 3500 years old are at Skara Brae, a Neolithic site in Orkney. Most walls were built in the 18th and 19th century, marking areas of private ownership and resulting in poverty
Post a Comment
Read more